Monsoon Afternoons

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Monsoon thunderstorm over the Montezuma Valley, east of Cortez, Colorado.

The early half of the summer in the Four Corners region is typically the driest part of the year. Winter is over, but the rains are few or nonexistent.

After that, though, the Southwest’s “monsoon” season of thunderstorms begins, to the delight of area residents. Rain in a high desert land, variety in the skies.

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Rain in the valley, with the North Rim of Mesa Verde on the skyline.

Typically the mornings start clear and sunny. But as the summer temperature climbs throughout the day the clouds begin forming. Then boiling up, like a teapot steaming. After that, you might get rained on, and you might not. It just depends. And in the evening, you have a much better than average chance of seeing a rainbow.

See more of my photography at www.NaturalMoment.com.

© Copyright 2017 Stephen J. Krieg

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Revisiting Four Corners

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Years ago while wandering across northeast Arizona, I saw highway signs directing the interested traveler to see the Four Corners monument, the only place in the United States where four states meet. Having naturally been good at geography in school (let’s not talk about arithmetic) I was interested in visiting it.

Of course I knew that it was just a very important survey point established in the middle of nowhere, ordered to be plunked down by white politicians in Washington, D.C. that were still struggling to define the western portions of their country back in the 1800s. It wasn’t the summit of a mountain, or the lowest point on the continent. Nothing like that. It was merely there…where lines drawn on a map to separate four states happened to cross.

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Tall flags: Arizona, New Mexico, Colorado, Utah, Navajo Nation, Ute Mountain Tribe, and the USA. And what a sky!

But when I got to the park, a Navajo Indian park, I scoffed at the notion of paying a fee to look at that point stuck in the ground. So I turned around at the entrance booth, vowing never to pay to see something so politically frivolous. After all, Major John Wesley Powell had done his best to advise drawing boundaries by watersheds, a naturally sane guideline. It was ignored.

Now, decades later, I find myself living just 40 miles from the Four Corners monument. I wouldn’t have given it any more thought except that I work at a job that involves giving visitors advice about what to see in the area. And one of those topics most frequently raised is going to see Four Corners.

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Everybody comes for this picture to be taken. I took pictures of the pictures being taken.

A recent visitor said: “That’s the biggest ripoff I’ve ever seen!” If he expected Pike’s Peak, no wonder. But these days I have different feelings about the Four Corners tribal park. So I drove down there to see what I could come up with this time.

Mid July, and the summer thunderstorm clouds were building beautifully. Driving south from Cortez, Colorado’s green irrigated ranch fields, down into the high desert of the Ute Mountain Ute Indian Reservation, then onto the Navajo Nation. Dinetah, in their language.

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Oh, the summertime blue skies! High desert dry air, mountains in the distance.

Finally I was at the entrance to the Tribal park. The entrance fee is only $5.00 per person, and I was only one of those. Still, the employee at the booth asked: “How many people?” It must be a job-ingrained thing from doing that all day for years.

I parked in the dirt parking lot and walked to the area of interest: a circular plaza ringed by Navajo artists selling their wares. A formal sign warned anyone intending to scatter a departed loved one’s ashes there to forget it. Because to the Navajo cremation is desecration of a body. To each their own, but don’t do yours here. Fair enough.

There was a small line of people waiting to have their pictures taken on the exact mark where the four states meet. From what I’ve heard the survey marker is off somewhat, but who cares? It’s not like it’s a holy temple or something. It’s a spot on a map, people! Just have fun with it. So many visitors do.

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Even the restrooms are scenic. From outside.

I had expected more Navajo food vendors to be ringing the park. Not so. Only two establishments were there, one offering Navajo Tacos for $8-12. The other, Grandma’s Fry Bread Shack, was closed.

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Navajo Taco stand.

As far as the Indian art vendors within the cherished ring of booths? The necklaces, etc. were cheap in price. Real cheap. In the $5 to $15 range, like you would see at roadside stands in the middle of nowhere elsewhere in Navajoland. But beautiful. Knowledgeable Indian artwork buyers would sneer at it. So what? These items are cheap only because they’re in the middle of nowhere, rather than in a high rent shop in town. These artists know how to make the best stuff, but these tourists aren’t interested, so they offer the stuff that does sell way out here. My advice? If it looks beautiful to you, buy it. It was handmade by a Navajo, even if it was from cheap parts. You will be supporting their household. It will be a no-brainer purchase. If you would rather have an expensive version of their amazing craft, go to town. To the city, even. I did not photograph any of the artists’ wares, at their urging. They wish to keep their designs unique.

I left the Four Corners park feeling serene and refreshed, somehow. I love the wide open spaces, high desert feel of the area. From it you can see Sleeping Ute Mountain to the northeast, and the Carrizo Mountain range to the south.

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Go to Four Corners. Be grateful it’s not Disneyland. Any money you care to spend will be supporting a local culture that is beautiful and enduring.

And maybe Grandma’s Fry Bread Shack will be open. I wish it had been when I was there. I had only potato chips in the car.

Photo location: Four Corners, Navajo Nation Tribal Park. Or should I say: Colorado/New Mexico/Arizona/Utah?

See more of my photography at www.NaturalMoment.com.

© Copyright 2017 Stephen J. Krieg

Step House Ancestral Site, Mesa Verde

Overlook on Step House Ruin, Mesa Verde National Park, Colorado.

Step House site from an overlook, Wetherill Mesa, Mesa Verde National Park.

At Mesa Verde National Park you can only visit the cliff dwellings on-site as part of a Ranger-led tour. To protect them from the high numbers of visitors that want to see them these days. (If you don’t care for such a one or two hour trek, there are nice overlooks to get photos from above).

Path to Step House ruin, Mesa Verde National Park, Colorado.

Paved path down to Step House alcove site, Wetherill Mesa.

The Ranger-led tours only cost $5 per person, per tour. A nominal fee. But you have to buy your tickets in person at the park, or in Cortez, not online. You can buy them locally up to two days in advance, though.

Step House Ruin, the stone steps, Mesa Verde National Park, Colorado.

Step House site, looking up at the ancient stone steps hugging the face of the alcove.

There is one notable exception: the Step House site on Wetherill Mesa. You don’t need to buy a ticket, because they station a Ranger down there from 9am to 4pm to both protect the site and to answer questions for visitors.

Step House cliff dwelling pueblo, Mesa Verde National Park, Colorado.

The cliff dwelling pueblo at Step House, Wetherill Mesa.

Step House is also an easy walk, on a paved path. Not only that, but it has been developed so as to show off two very distinct periods of habitation. Most noticeable is the cliff dwelling pueblo, which was the later period, just before they exited the area around 1300 A.D. But long before that, the pre-puebloans, who had not yet learned how to fire pottery, let alone build habitable stonework pueblos, lived on the same site in pit houses.

Reconstructed pit house dwelling, Step House Ruin, Mesa Verde National Park, Colorado.

Reconstructed pit house dwelling at Step House.

And at Step House a pit house has been reconstructed to give you a much better idea of what that had looked like. It’s a wonderful two-for-one walk, just a stone’s throw from the parking lot.

Panoramic photo of the Step House Ruin site on Wetherill Mesa, Mesa Verde National Park, Colorado.

Step house alcove panorama, Wetherill Mesa.

Photo location: Mesa Verde National Park, Colorado.

© Copyright Stephen J. Krieg

Wingate Cliffs Sunset

Wingate Sandstone Cliffs at sunset, Indian Creek Recreation Area, San Juan County, Utah.

Wingate Sandstone Cliffs at sunset, Indian Creek

The Needles District of Canyonlands National Park: serenely lonely in the wintertime. A great time to visit.

The day after snowshoeing in the Manti-La Sal National Forest at 7,000 feet elevation I decided to switch gears and go down about 2,000 feet to the high desert. That’s the kind of variety one can enjoy in southeast Utah.

No winter boots or heavy parka needed down there, especially since there had been several days of sunlight to melt any icy patches in the shady areas.

It was another sunny day, and calm as well. So pleasant for the last day of January.

I headed for the Needles District of Canyonlands National Park. From US 191 between Monticello and Moab, take Utah 211 down Indian Creek Canyon to the Noodles. I mean Needles.

I hiked the easy Slick Rock Trail in the park mostly for the exercise, then started the drive back up along Indian Creek. I had seen a total of four vehicles all afternoon. Besides the extremely pleasant hiking weather, the absence of crowds is why this is one of my favorite times of year to visit this spectacular area.

The walls of Indian Creek Canyon are dominated by the vertical burnt red cliffs consisting of Wingate Sandstone. World class rock climbing if that’s your thing. Me, I like to stare at them from down on the valley floor. Especially when the low light approaching sunset lights them up.

Indian Creek Canyon recreation area in winter, Utah Highway 211.

Utah highway 211 in Indian Creek Canyon. Snow on the north sides of the cliffs.

Photo location: San Juan County, southeast Utah.

See much more of my photography on my website: NaturalMoment.com.

© Copyright 2017 Stephen J. Krieg

Moki Dugway View, San Juan River Valley

Moki Dugway in winter, Cedar Mesa, San Juan County, Utah.

The Moki Dugway section of Utah-261 at the south end of Cedar Mesa.

Winter in the high desert canyon country of southeast Utah. It’s been a good one for the mountain snowpack; the Abajo Mountains are at 200% of normal as far as moisture content from this winter’s snow and rain, forecasting a lush green spring.

The Moki Dugway is an unpaved portion of Utah Highway 261 that connects the southern end of Cedar Mesa with US 163 between Bluff and Mexican Hat. The Dugway drops 1,100 feet in just three miles, making it a spectacular (some would say white knuckle) stretch of road.

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It’s a spectacular view from the southern edge of Cedar Mesa looking down onto the San Juan River valley, with Valley Of The Gods, Monument Valley, and several mountain ranges in the distance.

It’s also within the new Bears Ears National Monument declared on December 28, 2016.

See more of my photography on my website: http://www.naturalmoment.com.

© Copyright 2017 Stephen J. Krieg

Evening Snow Squall, Canyonlands

Evening snow squall clouds over the La Sal Mountains in southeast Utah.

Evening snow squall clouds over the La Sal Mountains in southeast Utah.

It was the afternoon before the January Full Moon, and the weather wasn’t looking good for my favorite time of the month: Moonrise over a wild landscape. Especially mountains.

Since I live only an hour away from the La Sal Mountains in southeast Utah, I always think of them for moonrise shots, especially since there are some great viewpoints on public land in which to position oneself.

But on this particular afternoon, January 11, another snow storm was headed our way. The clouds were wrapped tight around the upper peaks of the La Sals. And they didn’t look like they would dissipate around sunset time, either.

Still, I headed out toward the Needles District of Canyonlands National Park, because the clouds were mixed with areas of blue sky and everything was in flux. Unpredictable light, often the best kind.

Wintry snow squall clouds over the Colorado River near Canyonlands National Park.

Wintry snow squall clouds over the Colorado River near Canyonlands National Park.

A viewpoint down toward the Colorado River and the distant Island In The Sky district of Canyonlands was a mix of shadow, sunlight, and snow squall clouds.

The clouds never did part over the La Sal Mountains, but I was out there. I was ready. And I enjoyed some spectacular views anyway.

Photo location: northern San Juan County, southeast Utah.

© Copyright 2017 Stephen J. Krieg

Newspaper Rock archaeological petroglyphs, San Juan County, southeast Utah.

Winter Solstice Time at Canyonlands

Utah Highway 211 to the Needles District of Canyonlands National Park.

Highway 211 through the Indian Creek Recreation Area. La Sal Mountains in the distance.

Winter Solstice occurred on December 21 this year. Supposedly the shortest day and longest night of the year.

However, the day length had been stuck at 9 hours and 32 minutes since December 19, and won’t be a full minute longer until Christmas, Dec. 25, when it will be 9 hrs. 33 min. for four days. Yes, a whole minute longer.

Utah Highway 211 along the upper part of the Indian Creek canyon, in winter.

Upper Indian Creek area of Highway 211 east of the Needles.

Just two days after that, on New Years Eve, the daylight will be two minutes longer than on Christmas Day, at a whopping 9 hrs. 35 minutes! You can follow along at sites such as sunrisesunset.com. The days start getting longer faster the further they get past Solstice, but until then it rather creeps along. The dead of winter begins.

Wintertime snowy cliffs above Indian Creek Recreation Area, San Juan County, southeast Utah.

Snowy sandstone cliffs above Indian Creek Recreation Area.

The day before Winter Solstice I drove in to the Needles District of Canyonlands National Park. It’s only an hour’s drive from my home, and I hadn’t been there lately. The roads were cleared from a recent snowstorm, so I was sure it would be fun. Sunny and calm.

Sandstone cliff face in upper Indian Creek, San Juan County, southeast Utah.

Sandstone cliffs and snow along Highway 211.

Driving north from Monticello, Utah on U.S. 191 it’s only about 15 minutes to the turnoff onto Utah Route 211, the highway into the Needles District. Route 211 parallels the Indian Creek drainage before it finally empties into the Colorado River inside the park. The easternmost part of the drive was still high enough in elevation to have snow on the cliffs, under a trademark Utah high desert blue sky.

Newspaper Rock State Historical and Archaeological Site, San Juan County, southeast Utah.

Newspaper Rock site, from the parking lot.

Roughly halfway to the Canyonlands National Park entrance is the famous Newspaper Rock archaeological site. There is a parking lot with restrooms and a very short walk to this amazing petroglyph panel.

Newspaper Rock petroglyph panel archaeological site in winter, San Juan County, southeast Utah..

In winter the sun’s angle is low enough to keep much of the petroglyph panel in sunlight.

I’m not wild about the name “Newspaper Rock”, because it conjures up a modern image of ink on newsprint. Instead, these are ancient symbols laboriously pecked into rock, some of which could well be 2,000 years old. And they last infinitely longer than ink or paper.

This was the perfect time to visit the site, with the fresh snow, the low angle of the December sun lighting up the panel, and only one other visitor for a few minutes. It would make for photos much different than the typical ones you see over and over of this site.

Newspaper Rock archaeological site, petroglyph panel, San Juan County, southeast Utah.

Newspaper Rock in winter.

The rock panel is perfect: Dark patina (think rock “varnish”) on a smooth sandstone face, with an overhang above to shade the panel for most of the year, which serves to slow the weathering process. Pecking through the patina reveals the much lighter sandstone beneath, making the image pop out visually.

Newspaper Rock archaeological site petroglyphs, San Juan County, southeast Utah.

Newspaper Rock petroglyph panel, upper portion. (Click on image for larger).

So many symbols that it is mind boggling. Animals, tracks, imposing horned humanoid figures (shamans in sacred regalia? Alien beings from outer space?).

Newspaper Rock archaeological petroglyphs, San Juan County, southeast Utah.

Newspaper Rock petroglyph panel, lower portion. (Click on image for larger).

Not all these depictions are prehistoric. Anything showing a horse, or a wagon wheel, is after the Spanish first arrived in North America in the 1600s. There are even some fairly modern dates added, something which is strongly discouraged by the steel fence keeping visitors a safe distance away from the panel.

Newspaper Rock archaeological petroglyphs, San Juan County, southeast Utah.

Sun and shadow made for a nice vertical composition of petroglyphs and rock angles. Notice that some footprints that have six toes.

From the highway into the Needles District, a nice view of the snowy summits of the La Sal Mountains to the northeast near Moab, peeking above the red rock layers along the lower Indian Creek Valley.

Utah Highway 211 to the Needles District of Canyonlands National Park.

Highway 211 through the Indian Creek Recreation Area. La Sal Mountains in distance.

At the Needles Visitor Center, all was quiet. The remoteness of Canyonlands National Park means that wintertime is very off season, so there aren’t enough visitors to keep the VC open at this time of year. No entrance fee, just drive on in. The restrooms do remain open, and you can get water and park brochures and maps. The campground is open year round.

Not far past the Visitor Center is a turnout for the Roadside Ruin. Again, not the best of names. I made me expect some rubble of a pueblo foundation. Instead, it’s a very nice and easy walk to a very well preserved granary tucked into a small out of sight alcove.

"Roadside Ruin" ancestral granary site, Needles District, Canyonlands National Park, southeast Utah.

“Roadside Ruin” ancestral granary site, Needles District, Canyonlands National Park.

The interpretive sign for Roadside Ruin said that stone-and-mortar pueblo dwellings hadn’t been found in this area, indicating that it was intensely farmed (corn, beans, squash) and the dried grains stored in the granaries. So it was used in the growing season, not year around.

"Roadside Ruin" ancestral granary site, Needles District, Canyonlands National Park, San Juan County, Utah..

“Roadside Ruin” ancestral granary, Needles District, Canyonlands National Park.

The doorway into the granary is through the roof. Otherwise they might have built the walls up until it met the roof of the alcove, and put the door into the side. Sometimes the ancient ones did, sometimes they didn’t.

The Needles District of Canyonlands is a hiker’s and four wheeler’s paradise. But on this day I had elsewhere to go. So I will be back throughout the winter to enjoy the lack of crowds.

© Copyright 2016 Stephen J. Krieg

 

Revisiting the Mysterious Moki Queen

Barrier Canyon Style pictograph "Moki Queen" at Hog Spring, Utah.

Closeup of the “Moki Queen” pictograph at Hog Spring, Utah.

Driving across the vast upper reaches of Glen Canyon National Recreation Area in southeast Utah leaves one to ponder many things.

One of those things is an ancient pictograph that today is called the “Moki (or Moqui) Queen”, a figure painted on the back wall of a sandstone alcove in North Wash, between Hite Crossing and Hanksville, Utah.

How old is she (I mean “it”)? The Barrier Canyon Style is much older than the petroglyphs and pictographs of the Ancestral Puebloans (formerly called Anasazi). The Moki Queen should be at least 1,000 years old. Not bad for not being in a climate controlled museum, huh? Actually, the high desert canyon country of southern Utah is a museum due to its climate. Dry most of the time. Cold winters, too. A north facing stone alcove such as this one has an overhanging cliff that even keeps most of the rain and snow out. And whoever painted this must have know which local pigments would last the longest.

The Moki Queen

The setting of the Moki Queen and…whatever animal is depicted with her. And what other faces can you see?

The Moki Queen is actually visible from Highway 95 near Hog Spring Rest Area. I’ve driven by “her” a number of times, and with the springtime leaves coming out I decided it was time to pause once again and pay my regards.

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A sandstone alcove such as the one housing the Moki Queen.

Since the people that painted her had no written language, no one can say for sure what this obviously carefully depicted image meant to them. A revered matriarch of a tribe or clan? A vision of a shaman?

The Moki Queen pictograph, North Wash, southeast Utah.

The Moki Queen panel from another angle.

Walking back into that alcove always gives me a sense of reverence. It’s a very isolated place, despite being near a state highway. So far I’ve always had the privilege of being there alone. The noise of other visitors would seem wrong to me. So I pay my respects, notice what I can that I didn’t last time, and wordlessly retreat to my vehicle back out on the highway not that far away.

But not without spending a bit of time in North Wash itself. The little stream still flowing with clear springtime runoff. The cottonwood trees leafing out with their bright green counterpoint to the red rock layers all around.

North Wash, southeast Utah, in springtime.

North Wash in springtime glory.

Photo location: North Wash, southeast Utah south of Hanksville.

© Copyright 2016 Stephen J. Krieg

Spring Wildflowers of Glen Canyon

Utah Highway 95 bridge shadow across Colorado River, Hite Crossing, Utah.

Highway 95 bridge shadow across the Colorado River at Narrow Canyon portion of Glen Canyon. It must be spring: notice the green riparian vegetation.

We begin (actually just me) at Hite Crossing of the Colorado River in Glen Canyon. The muddy river, naturally, upstream from Lake Powell. Brown cliffs on both sides, blue sky above. Whoops, don’t forget the thin strip of green riparian (streamside) vegetation that has leafed out. It’s spring.

Colorado River at Hite Crossing, Utah.

The Colorado River, looking downstream from the Highway 95 bridge at Hite Crossing.

Enough of this shameless gawking at the river and the cliffs and the snow capped mountains in the distance. Let’s roll on down the road. But not far, before the golden glowing plumes of Prince’s Plume caused me to veer to the side of the road.

Prince's Plume wildflower, Glen Canyon, Utah.

Prince’s Plume wildflower, Glen Canyon, Utah.

Next was the Yellow Cryptanth. Really small yellow flowers with fuzzy cups and stems, they don’t like to hog the limelight.

Whipple's Fishhook Cactus and Common Paintbrush wildflowers, Glen Canyon, Utah.

Whipple’s Fishhook Cactus and Common Paintbrush, Glen Canyon.

I love it when I can get two different wildflowers in the same photo. Especially when they’re different colors, too. The green of their leaves can count as a third color. If you’re counting such things.

Whipple's Fishhook Cactus blossoms, Glen Canyon, Utah.

Whipple’s Fishhook Cactus blossoms, Glen Canyon.

If you’re only attracted to the big, showy blossoms of the season, shame on you. The true naturalist is drawn in by the more subtle ones, too. Like Blackbrush, with its diminutive yellow flowers.

Blackbrush wildflowers, Glen Canyon, Utah.

Blackbrush blossoms in spring, Glen Canyon.

Let’s veer on over to the white side of the flower spectrum in Glen Canyon: Cliffrose. Its blossoms are fairly showy. Not bright white, a rather yellowish white. But the fragrance will make you remember.

Cliffrose wildflower blossoms, Glen Canyon, Utah.

Cliffrose blossoms, Glen Canyon.

In case you’ve forgotten, this is all in the desert.

Speaking of which, we come to one of the most desert like plants, the yucca. With its evergreen bayonet leaves and a needle like tip that will make you remember not to carelessly stumble into it next time, they also have one of the most amazing flowering habit. Namely a stalk that grows as quickly as corn in Ohio (don’t ask for scientific proof, I don’t have it) to sent creamy white blossoms as delicate as their “leaves” are formidable.

Narrowleaf yucca, Glen Canyon, Utah.

Narrowleaf Yucca and flowering stalk, from above.

Maybe it was time for a break from all the lushness. I stopped near the Highway 95 bridge over the Dirty Devil River and walked out onto the span. Which you can do easily here, since there is almost no traffic.

Dirty Devil River, near confluence with Colorado River, Utah.

The Dirty Devil River, from Highway 95. Notice the lighter “bathtub ring” above the newly reborn green along the river that had been drowned by Lake Powell when it was full.

South of Hite I once again paused along the highway. I do that a lot. And why not? In this case it was a relatively short span across an unmarked canyon. You would drive across it in couple seconds — whump, whump — without noticing.

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White Canyon bridge, Highway 95.

You would have just crossed White Canyon, just upstream from its mouth into the Colorado River. No big deal. Right? But pull over. Walk to the edge, or onto the span and look down. Yeah, totally different realization.

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Lower White Canyon, from Highway 95.

I made a few exposures onto the camera memory card that I’d hoped portrayed the overall scene. The desert varnish streaked cliffs, the red buttes in the distance.

Then I let my camera lens follow my gaze to the floor of the canyon. It was an overcast day, devoid of the strong sunlight and black shadows so typical of canyon country. The cliffs above were the beige of Cedar Mesa Sandstone, ancient “petrified” (not the right term, but nevertheless) sand dunes lifted up from sea level eons ago. And at the bottom the (temporarily) dry streambed that somehow had carved its way down. Still does, in fact. Since erosion never sleeps.

White Canyon, southeast Utah.

The streambed of lower White Canyon.

Narrowleaf Yucca flowering stalk, Glen Canyon, Utah.

Narrowleaf Yucca flower pods along their stalk.

Photo Location: Glen Canyon National Recreation Area, southeast Utah.

© Copyright 2016 Stephen J. Krieg

KachinBox-Elder tree leaves and flowers in April, Natural Bridges National Monument, Utah.

Springtime Colors at Natural Bridges

Kachina Natural Bridge in April, Natural Bridges National Monument, Utah.

Kachina Natural Bridge, April greenery.

Previously I have called the relatively bland scenery in canyon country after the deciduous leaves have fallen and before there is snow blanketing the cliffs as being “in between the colors”.

Kachina Singleaf Ash leaves and flowers in April, Natural Bridges National Monument, Utah.

Singleleaf Ash springtime leaves and flowers, White Canyon.

Oh, sure, since there are always the pinyon pines and the junipers, along with some evergreen shrubs, cacti and yucca there is always plenty of green around the high desert. But you don’t realize how much the brighter green of the cottonwood and box elder trees, the Singleaf Ash, and the shrubs and forbs add to the color mix in spring and summer.

Common Paintbrush wildflower, White Canyon, southeast Utah.

Common Paintbrush, White Canyon.

Which only makes one appreciate springtime that much more.

Silvery Lupine, White Canyon, Utah.

Silvery Lupine, White Canyon near Fry Canyon.

So last week I was able to hike down into White Canyon to visit Kachina Natural Bridge once again. I thought about how favorite trails get easier the more you hike them. Never boring; there’s always more to notice that you missed previously, or that has changed since last year.

Newberry's Twinpod wildflower, Natural Bridges National Monument, Utah.

Newberry’s Twinpod on the “beach” at Kachina Natural Bridge.

Down at the intermittent stream that drains White Canyon, Kachina Bridge was complemented by the bright springtime growth of the Fremont Cottonwood and Box-Elder trees about halfway leafed out.

Box-Elder springtime leaves and flowers, Natural Bridges National Monument, Utah.

Box-Elder tree spring growth: flowers hanging like strings.

Underneath the massive natural bridge — youngest of the three in the Monument — there is a large sandbar that we call the “beach”. It makes for a pleasant place to hang out, especially in afternoon sunshine. Though this day was overcast, allowing photos of the bridge and canyons without the usual high contrast of bright sunlit areas and deep shadows.

Petroglyphs on buttress of Kachina Natural Bridge.

Ancient inscriptions (petroglyphs) on Kachina Natural Bridge buttress.

On the beach were Newberry’s Twinpod, Mountain Pepperplant, and some others.

Wildflowers beneath Kachina Natural Bridge, White Canyon, Utah.

Spring wildflowers on the “beach” beneath Kachina Bridge.

As usual I paused to examine the numerous ancient inscriptions — both petroglyphs (pecked into the stone) and pictographs (painted on the stone, including handprints) — on the buttresses of the bridge.

Kachina Natural Bridge, White Canyon, Utah, in spring.

North Buttress of Kachina Bridge and pool of water in White Canyon.

Also another walk up to the sandy bench along the north buttress of the bridge. There is a very special area there, containing some small adobe structures (probably granaries or storage of special tools or ceremonial stuff), handprints, and many inscriptions pecked into the cliff face and adjoining boulders.

Kachina Natural Bridge Ruin, Natural Bridges National Park, Utah.

Ruin at Kachina Natural Bridge. Note the handprints on the cliff wall and the ghostly pictographs painted inside the low adobe structure.

Photo Location: Natural Bridges National Monument, southeast Utah.

© Copyright 2016 Stephen J. Krieg